05/12/2015

Tori Anne

I think it's getting a bit easier to articulate what I want to say in these emails now! I guess I just need to be more confident. 
As I'm thinking about my portfolio, that's the main thing I've been asking about. I want people to flick through my work and be blown away like I am with so many other practitioners!
I really hope I get a reply - it would be awesome if someone I really look up to acknowledged my existence haha. I'm going to make sure I link my website at the bottom of every email.. just in case they feel like taking a look.

Babs Tarr

I finally plucked up the courage to email somebody! It must have taken me almost an hour just to articulate what I wanted to ask so hopefully she replies!! I feel like I've got the ball rolling with this now, so I think now is the time to go through my huge list of people to talk to.

LinkedIn!

[Link]
Finally updated my Linked In profile! I think I made this a while ago but completely forgot about it.. How professional of me! So far I've only sent connection requests to people I know but maybe it would be a good idea to look for illustrators I really admire on there?

29/11/2015

Interview on BBYB blog

[Read it here]

A week or two ago I was contacted by a blogger (original post here) who found my work on Instagram and wanted to do a little interview with me - I think it's an ongoing thing she does on her blog every now and again. I know it's not like it's a huge publication asking for an interview, but it still makes me super happy because it means people are interested in my work enough to want to talk about it! Doing this was also like a little kick up the butt too - it made me think about which bits of my work I liked enough to represent me in a post and I got my website organised just in time!

I'm definitely at a stage where I want to up my game and I feel like my practice has changed so much compared with just six months ago - definitely a good thing!

26/11/2015

Website!


Finally got my website finished! 
It took me quite a long time to figure out how to use Cargo collective to get it looking how I wanted (some of the templates just had too much going on!)
I'm not 100% happy with the work up there because I feel like I can do better, so now I'm really motivated to make better work to upload!
Initially I had a play around with Adobe Muse and made something I really liked.. I wasn't sure how to host it though since I'd already upgraded my cargo account and the two aren't compatible! Perhaps in a year I'll be able to work it out. It did help me figure out the pages & the content though. 


Victo Ngai Talk


It was so exciting to have Victo Ngai come into our studio and talk to us! I love the amount of detail in her work and the beautiful, harmonious colours. One thing I picked up on, as somebody else did and asked about, is her choice of colours for the lines. Almost every time I create a picture I forget that black isn't the only option! I think varying the colour of the line helps show which is the most important part of the picture and focuses the viewers attention. This is pretty basic stuff, but it's good to go back to basics every now and again!
Victo spoke about her work in editorial and explained how quickly you have to resolve a brief - sometimes you only get a day! Something really valuable she said was that you have to kind of step back from an article sometimes and work out what it's trying to communicate overall so you don't get stuck trying to illustrate it too literally. I've always shied away from editorial because I struggle to do this, but I suppose it's similar to the printed pictures project last year. Sometimes you have to select simple motifs, whether they are tangible or intangible and start there. 
I think we've been told all of this stuff before, but it was definitely refreshing and inspiring to go back to it.I feel like my work is lacking something recently, so I'm excited to push myself more.

23/11/2015

Brush lettering/cards & Hallmark?

This year I'm working on getting good at brush lettering for this project on 603. Working with the gift-card format/range has made me think about how I could take it further. I'd like to sell some of the designs I produce but I'm also thinking about contacting somewhere like Hallmark for an internship/work experience..
Currently they have this on their website! 
I think I'd be stupid not to contact them or send over some work, so I'm going to work really hard on my 603 project and make something I'm really proud of. I'll aim to have something by the Christmas break (3 weeks) so I'll have time to get to both print resources!



18/11/2015

Start Up Wednesdays: Blogs

During this session we learnt about how to create an effective blog with audience engagement.
Key points:

  • If you make a sponsored post then the type of link you put in must be a non-follow link 
  • Affiliations should always be disclosed
  • Consider what kind of blog you want - personal, commercial etc
  • Identify things you're interested in and base your 'brand' around them - be authentic. (Content Strategy)
  • Websites like Wordpress have a lot of plug-ins to help with audience/SEO. Blogger is a good alternative if you don't like that. 
  • Caption images so that google image search can pick them up
  • Familiarise yourself with Google guidelines, analytics & webmaster tools
Although I actually took less notes than normal in this session, i actually found it the most engaging. I'm really interested in setting up a blog so that I can post about my practice as well as other things that interest me (like makeup, scented candles, cute home decor etc!). I already kind of microblog on my Instagram so it seems like a natural progression to make a proper web blog. 

We've been told to make separate profiles for our practice and our personal stuff, but I actually don't think I'm going to do this. I think part of my practice is about my personality and interests, so it would be silly to completely separate the two. I do understand however, that the kind of content I post has to be appropriate for my audience (but I'm really not the type to overshare anyway!). Overall really interesting session & I'm excited about setting up a blog asap. 

16/11/2015

Blog Interview Request


Last night I received this email about doing a little interview for this blog. I don't think the readership of the blog is massive, but I'm still pretty excited! Initially I thought it was somebody I had spoken to at Thought Bubble, but I actually think it's just somebody who has come across my social media! At the point of receiving the email I was already thinking about getting my website up and running and now I'd really like to get it finished before this is published so I can appear much more professional!

Networking at ThoughtBubble

This weekend at Thought Bubble was really great and I'm so glad I printed off a bunch of contact postcards. Originally I compiled a list of people to talk to [here] but because it was so busy I didn't get a chance to speak to most of them, plus once I got there and had a look at their work, I wasn't sure how relevant it was to what I wanted to know.
Rather than come away empty handed, I had a good look around and found quite a lot of other practitioners who's work I really loved and asked them if they'd like to swap contact details. I've got quite a stash of business cards and it feels good to know that I handed out as many as I collected. I'm going to go through them all and send everyone an email and ask about their practice, what inspires them etc.

12/11/2015

Portfolio Surgery


  • Portfolios can be web based or print based.
Web:
- Might initially draw the client in
- Should be separate from personal profiles
- Should have links to other blogs or live-feeds
- Can showcase multiple portfolios - different areas within your practice

Print:
- For one on one meetings
- Should be maximum A3 (think about carrying it around, opening it on a small table at a meeting)
- Make sure the quality of the prints are good. No client will trust you with their project if your work is presented badly. 

  • Tailor your portfolio to the client. They don't want to see work that is completely irrelevant - they have probably already browsed through your website. 
  • 10 is the ideal number of images
  • If you want to work with someone, track down the commissioner/person in charge. 
  • Email first (or letter), introduce self, link website, ask for a bit of a creative steer.
  • Meeting - ask about previous publications/commissioned work, show them something different and make sure they know you're interested.
A style guide is a reminder to only use specific fonts/colour palettes on a project (such as a website).

Web Portfolio Research




I'm pretty eager to start making my own website but I don't want to create something horrific and ugly, so I've put together a few websites from illustrators that I really like.
Obviously their practices are all pretty different to mine, but their websites are all nice and simple with big images. I think I'll stick to a white background for mine and use a big image on the homepage. Font-wise, I'll want to use something simple and keep the number of colours to a minimum!

Travelling Man Print Opening!

The prints we did are finally up in Travelling Man! They'll be on display & on sale for the duration of Thought Bubble and through 'til the beginning of December (I think?). I really hope I sell at least one so I make the money back for printing, but since it doesn't really have a context (e.g. fan art), I'm not sure if people will want it?
The opening night was pretty nice though, we had a few drinks and a good mooch around the shop. The guys who run Travelling Man seemed pretty excited to have the prints up and said that they'd love for us to come down with more work anytime! Really glad I put my name forward for this, having work 'out there' is super exciting!



Thought Bubble Zine



Here's the final printout of my zine for the college table at Thought Bubble this weekend! Considering I put this together a little bit last-minute (we've had the whole summer to do it..ooops), I'm pretty happy with it. I would have preferred to use a slightly thicker stock and maybe a coloured cover, but since zines are meant to be kind of lo-fi anyway, I figured that's something I can change in the future.

As far as I'm aware, we don't get any money from the sales of these zines and I'm not sure where the money is actually going..? Nor do I know how much they'll be sold for. I printed a few extra to put up on my Etsy and I'll be selling them for about £1.50 since they're super cheap to produce and it's not that many pages.

Start Up Wednesdays: Funding

The point of this session was show us where/how we can apply for funding for small business opportunities/projects.


  • It's important not to let lack of funding stop you from doing anything. If you have an idea, start as soon as possible with what resources you already have!
What can you apply for?
- Business start up, growth and development
- International trade
- Research and development
- Creative development
- Capital purchases
- 'Go and see' (research trips etc)

  • First point of call is usually the bank
  • Creative SME's have an advantage (Small/Medium enterprises)
  • Bank finance - you will always have to pay back more (which you could potentially negotiate). They will always ask for some sort of security
  • Arts Council - Grants For The Arts (G4A)
  • Creative Industry Finance - web/game/fashion design. Is a loan scheme so does cost but is considerably lower than banks/more commercial businesses
G4A:
- Can submit applications any time of the year
- £1000 is the minimum you can apply for. £100,000 is the maximum.
- Minimum match funding required is around 10% - higher for larger applications
- The time it takes to hear back from them depends on the project/how much you have applied for.

TRUSTS:
- Set up by an individual or private organisation and the money is only to be used for the aims of the trust
- Examples: The Elephant Trust, Prince's Trust, Queen Elizabeth Scholarship Trust, Calouste Gulenkian Foundation, Esmee Fairbairn Foundation, The Paul Hamlyn Foundation

VENTURE CAPITAL:
- Dragon's Den type of funding
- Hard to get because it is very risky for the venture capitalist.
- Will often give you good business advice as it is in their interest to get their money back

ANGELS: 
- Similar to venture capital, but less demanding about business return.

CROWD FUNDING:
- Usually less successful in reaching target
- Examples would be Kickstarter or GoFundMe
- 'Backers' can choose how much they donate, usually they get something in return depending on this. For example, £5 could get them a free coupon etc.

There are also:
  • Commissions, residency, business support schemes
  • Community Chest - local authorities stash of money which is biddable. After recent cuts most places don't have one any more though.
  • Yorkshire Visual Arts Network - mini grants of up to £500
WHEN APPLYING FOR FUNDING REMEMBER:
  • Many grants don't support artists in their first year after graduating
  • Consider how your project fits with the criteria of the trust - write down specifically how it does or does not do this 
  • Factor in how much your time is worth per day - most grants/funding will allow you to factor in your time, research, travel, revenue and assistance
  • Budgeting includes income AND expendature
  • If you have more than one idea for a project, apply for all of them - they are likely to give you funding for one of them

02/11/2015

Start Up Wednesdays. Business: Do you have an idea for one?


  • On average people making money from their 'creativity' only make £5000 a year
The following formula/questions will help me identify whether a business idea is viable and point out anything I haven't considered so far.

Who is the customer?
  • What are their relevant interests?
  • What are their relevant motivations?
  • What are their relevant needs?
Which of your ideas are interesting and which have value?

Opportunity: 
  • Have you identified a market opportunity?
  • Are you creating an opportunity for a market?
Solution:
  • What is your proposed solution?
  • What is the specific idea you have for satisfying the identified need/opportunity?
  • Is it a service, product, improved process, business model or a combination of these?
Think about the user experience!

Team/Skills
  • What skills will you need? Do you have them or do you need to bring someone else in?
  • Partners, suppliers, influences, customers..
  • 6 degrees of separation - the thing or person you want is most likely no more than 6 steps/people away from you. Network!!
Advantage
  • What is your competitive advantage?
  • Why would people choose you over your competition?
  • You need an advantage that people can't copy!
The average global investment return is only 4%. In a 'cluster' such as Silicone Valley, it might be 31%.
This is because clusters offer more like-minded people with skills & ideas that might help.

Results
  • What results will be achieved from your solution?
  • Specifically, what are the quantifiable benefits to your customer and your organisation?
  • How do all the key stakeholders benefit in tangible or intangible ways?

Business idea exercise

Customer:
  • 21+ years old
  • Recent graduates
  • Creatives
  • Need somewhere to freelance from
  • Inbetween jobs
  • People who know that they might need help/other skill sets
  • In need of resources such as printers/studio space etc
Opportunity:
  • When people graduate, suddenly they don't have access to the same kind of resources or community they had in university
  • Similar to Duke Studios - lots of independent businesses thriving from one place - creates a bigger network
Solution:
  • Studio space/collective for recent graduates to come and work (for a monthly fee) that would offer various print resources/space etc
  • Monthly membership fee to pay for location, materials, upkeep etc.
  • There would be an application process to make sure they were going to use resources effectively and see what they would be bringing to the collective.
  • Similar to Duke Studios but more of an open, free space to work rather than office areas. 
Team:
  • Marketing
  • Practitioners from varying disciplines
  • Accountant or someone to manage budgeting/finances
  • Some sort of project manager to organise space and resources
Advantage:
  • We know exactly what we need after uni
  • Creates a sense of community where collaboration is encouraged
  • More than just a single office space
  • As individuals we have our own contacts so great opportunities for networking
Results
  • Potentially some really great collaborations
  • New contacts
  • Shared studio space - cheaper than getting somewhere on your own
  • Motivation to network & get more work
Feedback
  • Similar to E-street art in Leeds!
  • Good focus on community & customer being graduates - when will people stop being considered graduates though? and will this mean that they'll be kicked out after a certain amount of time?
  • Other than membership fees, how will it make money? Commission from live briefs?
Although this wasn't my business plan, it was very similar to an idea I've been thinking about and it was really useful to consider the kind of skillsets and resources that would be needed to make it happen. I'm sure after uni I'll want to start some sort of business so I'll hold onto this process to check whether what I want to do is viable!

01/11/2015

Monster Grrls Colouring Zine - Cover

Just to make the cover more attractive, I added a few of the inside illustrations. I really like it just black and white, but I'll still print it onto different coloured stock to see how it looks!

Thought Bubble Zine Progress



This is my current progress for the Thought Bubble zine. I'll be printing it tomorrow and I'm planning on using a different coloured stock on the cover to the inside pages.
I kept the content pretty simple and I wanted to create something that people won't buy, look at once and then store forever. I'm quite interested in colouring books at the moment and making a colouring zine seems like a pretty good way for people to return to your work (and interact with) for a low price. 
I'm considering adding more to the front cover - maybe some snippets of the inside illustrations? Overall I've tried not to process the images too much so I can keep that lo-fi zine aesthetic!

27/10/2015

Travelling Man Exhibition print progress


Ok so I've finished my print (for now, I think..) for the Travelling Man exhibition during Thought Bubble. I'm really pleased with how it's turned out but I may still tweak it between now and printing on Friday - I'm going to ask some people for a bit of feedback just in case there's something glaringly obvious. 
I was really unsure about what to even draw for this print, since it's going in a comic shop and I don't draw comics. I kind of imagined I was drawing my own comic book character though - maybe it's something I can think about doing in the future?

Part of me is a little unsure about the background.. I'm not sure whether it needs the darker edges, but on the other hand it really makes the figure pop.

& here's a little gif to show the different stages!

26/10/2015

Getting organised!

I'm a bit of an organisation freak already, but to make everything seem much more simple, I've put together a little time-table form now until the Christmas break. I haven't done any further than than because my schedule is likely to change a lot throughout the holidays and I don't know exactly what I'll have left to do. 
Dedicating specific days to each module really helped me stay on top of everything last year. I've left the weekends blank because I'll use those days for whatever else needs doing for the following week if I don't have time on the day I already set. Writing down the progress points/deadlines has made me realise how short this term really is! CoP is my priority but I need to stay on track for the other days to get everything done. 

Contacting Practitioners

Instead of emailing this huge list of people [here] I've decided that it would probably be better to send them something via snail mail (where possible!). I'll probably have to email them in advance if they don't have some form of address listed somewhere, but I'm pretty sure more people would rather receive a physical letter than an email (which they'll probably ignore anyway..).

To make the letter/package more interesting I've thought about using a coloured envelope! Since some of the practitioners I want to contact have very 'girly'/feminine 'styles' I'm hoping this would make it look much more intriguing to them. I'm aware that not everybody likes pink, so for those practitioners who's work isn't so girly, I'll just use a different coloured envelope. 

Inside the letter/pack I want to put in a hand-written letter (depending on how legible my hand-writing is), a little business-post-card that shows a bit of my work and perhaps a couple of stickers with my work on. I want to send them small samples of my work so that they have something visual to remember me by. This would be different to a promo pack I'd send to someone I want to hire me (that would include a CV etc). 


21/10/2015

Wish List/Goals

The Start Up Wednesday session earlier today has really got me thinking about where I want to end up in a few years. The conclusion I've reached is that ultimately I want to have a studio with someone so that I can establish a freelance career, a shop that sells illustrated products and a little art cafe where people can enjoy cute cakes and cute artwork. The inspiration for this came from my desire to make illustrated products and my love for food (I guess it helps that my parents had their own restaurant and still work in the food industry!).
The most similar thing to what I am aiming for would be Colours May Vary in Leeds. They sell a wide range of products, like art prints, cards and books. They aim to create an environment that encourages people to come in and have a look at what they sell and have a flick through the various publications they stock. 
I've always been interested in creating an environment for people to visit that reflects my inspirations, interests and matches the visual identity of my practice. I find the idea of curating a space and showing others the inspirations behind my artwork really exciting. 
I'm not sure how long it'll take me to achieve all this and I may end up doing something completely different, but right now, this is the dream! In the meantime, I'm going to keep developing and exploring various parts of my practice - right now I think I need to find out more about comics, illustrated type & product and packaging and how they all fit into my work.


Mission, Vision & Values

As part of the Start Up Wednesdays session, we were asked to think about what our mission, vision & values were in regards to setting up our own business.

- What do you do?
- What are your aspirations?
- What matters to you?
- How are you going to achieve this?

Examples of successful businesses' missions:


"To make people happy." - Disney

"To organise the world's information and make it universally accessible and useful" - Google

It's important to figure out what your mission is so that when you're pitching your idea having a general conversation about it, you can communicate the purpose of your plans effectively. I've given this some thought in the past before, but since my practice has probably moved on quite a bit since then, I found it really useful to consider it again and try to summarise what I want to do with my work.

Mission Statement:
  • To create cute, edgy illustration suitable for a range of products and encourages people to engage with social issues such as gender identity and equality. 


The Vision:
  • To have my own shop/range of illustrated products.
  • Be able to work freelance and fully support myself financially.
  • Create a studio/collective with a shop, cafe & gallery space. 
Values:
  • Quality
  • Creativity
  • Passion
  • Challenge
  • Fun
I'm really happy that I came away from this session with a vague idea of what I want to do with my practice. This has been on my mind a lot lately as I don't feel I fit within one area of illustration. I'd really love to have my own business based around my practice and still be able to freelance or work on other projects. I was already keen on the idea of setting up a studio with someone and the idea of having a little shop on the side makes it so much more appealing & exciting. What I need to do next is work out the practicalities of setting something like this up, and start to think about how I'd go about branding myself/my practice appropriately.


Start Up Wednesday's - First Session

Business: Do you have what it takes?
  • As a sector, the creative industry only has a few 'large' companies - roughly 6%. The other 94% are small and micro businesses. This means that there aren't huge companies completely dominating the market - generally jobs have higher value.
  • Business structures tend to be more relaxed and informal.
  • Not driven by the market - creatives tend to make the market.
  • Personality and values can make your product/business more desirable - this is why it's so important to find your voice. 
  • Reputation is everything. People need to know that you are trustworthy and produce high quality work. 
  • It's really important to show that not everybody can do what you've trained to do - never let anyone devalue your practice. 
  • Conceptual thinking is important! Even if your idea isn't practical or feasible yet! Keep dreaming.


Commercial Aptitude:
- To identify and seize opportunities that might not be obvious to others.
- Thinking on your feet
- Business savvy

Project Management:
- Being able to oversee multiple tasks
- Managing links between people, ideas, resources etc.
- Understanding how to negotiate (especially important if you're working with people you're close to)

Risk Taking
- It is important to manage the possibility of something going wrong
- If you don't put safety measures in place, you could end up being really demotivated by any small failures.

Customer Sensitivity:
- Important to build long term relationships of trust
- Generate expectation of high level of customer service which you aim to exceed

Networking:
- Key to business. It won't survive if you don't get out there, make connections, tell people about your brand etc.
- Plan/prepare conversations to have with people. Using websites like Linked In is a good way of finding out what people are working on
- People like to talk about themselves, so ask them lots of questions

Leadership:
- Confidence is key - even if you're blagging it.
- Need to achieve a balance between risk taking and being practical.

Technical Skills:
- Know what you know
- What do you know you'll need help with?
- What can you learn and who do you need to help?

Marketing:
- Who is the audience?
- Find out as much as possible about the audience so that you could imagine what it's like to be them.
- Brand and reputation - strive for consistency.
- If you're ever feeling nervous, remember that you know more about your practice than who you're talking to (probably)

Good ways to find networks:
- Ask close friends or family if they could help with a project/idea
- If not, do they know anyone who could?
- Do they have a friend of a friend who you should talk to?



Business/Postcard designs



In preparation for Thought Bubble (walking round and trying to talk to people) and contacting other professionals (probably through the post rather than email), I've made a couple of business postcard designs. Initially I was just going to re-design my business cards, but as they're so small, people generally just throw them away. With something bigger, people are more inclined to keep it and stick it up on their wall or something.





19/10/2015

Travelling Man Exhibition


I'm so excited to be a part of the Travelling Man exhibition during Thought Bubble!! I didn't want to get a table at the actual convention this year (definitely don't feel ready yet! I feel as though my practice is only just taking shape??) so I'm happy I can put my work out there some other way.
To make our work look more consistent as a collective, we decided to all use the same colour palette, rather than choose a theme as some people thought it might be too restricting (although there's a lot of sci-fi going on!) 
I didn't want to do fan art of some description and I haven't made any of my own comics like some of the others, so at first I was a little stumped for what to do. A lot of people will pass through Travelling Man during the festival, so I guess I've put a lot of pressure on myself to make my work stand out. 
For Inktober (an art challenge throughout October), I've been drawing a lot of monster/alien girls, and I was thinking of making those into a zine to sell at the convention. I guess it's only fitting that I do something similar for the exhibition. 
So far I've only done the flat colours and I might re-work the background, but I am quite happy with this so far. I actually enjoyed having a limited colour palette (of which I did not decide the colours - I would have chosen pink) and it definitely goes with the subject. I'm pretty blown away by what other people have produced so far, so hopefully once this is done it won't stick out in a bad way..


Mel Stringer [Thought Bubble Zine Research]

Mel Stringer is another practitioner I really resonate with because she also draws a lot of cute but tough girls. 

Although her work also talks about a lot of social issues, the overall theme of her zines seem to be relatively simple. I'm feeling a little bit more confident about tackling my own zine now!


Gemma Flack [Thought Bubble Zine Research]

 Even though we were briefed about the Thought Bubble zine ages ago, I still haven't really made a start on it. I have plenty of drawings that I could potentially use, but I didn't want it to look like I'd actually just thrown a bunch of stuff together and called it a zine.

Gemma Flack is one of my favorite practitioners at the moment because her work is super girly (like mine tends to be..) but still has that tough/edgy tone. 
I've been really stuck for ideas for the content of my zine, which is probably because I've been drastically over thinking it. I really like the idea of just making a bunch of characters up, like in her Imaginary Girl Bands.

If our brief didn't state otherwise, I would definitely use a pink colour palette like hers! Since ours needs to be black & white/photocopied, I think I'll just use pink paper.

12/10/2015

Action Plan/Summary

In preparation for the group tutorial next Monday, I've put together a couple of slides with my intentions for this year (because most of this blog has been boring lists recently)! It's pretty brief but hopefully it gets the point across - I don't even know if we need this for the session?

People to talk to at ThoughtBubble

Expanding on my previous post about who I'd like to contact, I decided to take a look at who will be at Thought Bubble this year. Since I don't have a table, I'll be free to walk around and talk to people.
Some of the people I'd like to talk to:

  1. Bengal
  2. Noelle Stevenson
  3. Boo Cook
  4. Wes Craig
  5. Tana Ford
  6. Kieron Gillen
  7. Matt Hollingsworth
  8. Frazer Irving
  9. Antony Johnston 
  10. Kate Leth
  11. Jason Latour
  12. Jamie Mckelvie
  13. Ollie Masters
  14. Monty Nero
  15. Matt Taylor
  16. Emma Vieceli
  17. Alison Sampson
Since this is a pretty hefty list, I probably ought to write them all down when I go & maybe contact some of them in advance? I've come across some of these practitioners before, but most are totally new to me. There's a mixture of artists, writers and colourists (I didn't know that was a thing!), so I'm interested in how they all ended up where they are. 
I never really thought that I was interested in comics but I actually think that my practice is shifting over towards it. I just love the covers and the colours and I really think I should find out more about all this!! I hope I get a chance to speak to most of them, if it's busy I'll ask them if I can email some questions over (that way they'll also get my email address hehe). I guess I'd better get some business cards sorted out just in case opportunity arises!


Potential Contacts ~Wish List~

As part of our Creative Strategy brief (studio brief 1), we've been asked to identify and contact at least 10 practitioners who's work is relevant to the development of our practice. Initially this sounds pretty intimidating (to me anyway - probably because I'm out of the swing of things after a long summer break).
I wasn't really sure where to start, so I've just gone through my blog and selected some of the artists I've posted about in the past:

  1. Tori Anne
  2. Kim Searle
  3. Annie Wu
  4. Sophie Campbell
  5. Jen Bartel
  6. Paulina Ganucheau
  7. The Printed Peanut
  8. Elea Lutz
  9. Genevieve FT
  10. Babs Tarr
  11. Kindred Studio
  12. Lollilu
This is a good start. I should expect that I won't get a reply from everyone because they're probably pretty busy. Now I've got to figure out what I'm going to ask them..
  • what inspires your work?
  • can you describe your process when creating work, whether it's personal or a set brief?
  • what advice would you give a young illustrator about to embark on their third and final year of university?
  • what do you think is important to do to keep your practice progressing?
  • how did you get to where you are now? formal education? did you attend events, talk to loads of people?
  • what's your favorite part of your job? - and what's the worst?
  • what's your favorite way of working? digitally, painting by hand? tools?
  • what do you think makes a good portfolio?
  • who's work would you recommend taking a look at?
  • can you suggest anyone else I should contact?
I probably haven't worded some of the questions very well, but I'll adapt them depending on who I'm emailing. I think most of these practitioners go to a lot of conventions and do a lot of networking there. I think this year I ought to set myself a target to get my portfolio up to scratch so that I can do this too. I'd love to have a table at a convention and I didn't feel ready for ThoughtBubble in November, so I'll have to make plans for another one sometime. 

29/09/2015

Updating my visual identity

 I'm probably jumping the gun on this a little, but I thought I ought to start considering my visual identity. Because of all the things I've been trying in my sketchbook over summer, I just feel like the stuff I produced in level 5 (here) is a bit old and doesn't really reflect my practice at the moment (even though it's only been around 3 months?!) As I've been playing with brush lettering recently I thought it would be fitting to try out my name.

Getting the letters to look right took a few practices - for some reason I couldn't figure out how to make the 'S' look good and ended up trying a couple of different brushes to get the right stroke. I added the colour afterwards in Photoshop because I'm indecisive and I'll probably change it at some point. 

I couldn't resist mocking up a business card with it on. At the end of year show, I saw a couple of people's business cards that had coloured edges and I thought they looked pretty cool. I'll have to find out where I can get this done for myself. In retrospect, I don't think my old business cards looked very professional - they were pretty I guess, but I think I've moved on from that.


27/09/2015

'What Next?'

So following the talk we had on Friday, I've decided this year that I really want to go to the Start Up Wednesdays programme. The sessions are based around the idea of being your own boss and will help you formulate some sort of plan, so that when you leave university, you aren't at a total loss for what to do next. I'd love to work for myself after uni, but the idea is terrifying because I have no idea how to go about getting work.

After having another flick through the leaflet, I'm thinking it might also be useful to go to the Career Track Tuesdays sessions too.. Initially I was put off because the first session is based around teaching and the application process. However, the programme also covers networking, post-graduate qualifications, presentation skills and selling work. These all sound like areas I could do with learning a bit more about.

I've filled out the booking form and so far it looks like every session will be relevant to the stuff I want to find out! Exciting stuff.

23/09/2015

Illustration Studios

To help give myself a bit of direction for this year, I've been looking at illustration agencies/studios. I've been trying to imagine how my practice might be similar to what they do but as a result, I just feel out of my depth and like I have a long way to go.

I think because my practice is at such an 'inbetween stage' (I feel like I've moved on from level 5 but I have no idea how my work will turn out this year), I've struggled to find design studios that I can really identify with. I found two that I really do like however!

Kindred Studio
Andrew Fairclough's work kind of reminds me of 60s horror movie/graphic novel aesthetic and the Crap Hound books.

Lollilu
Textile/pattern based design studio. It's been a while since I thought much about pattern design so it was good to remind myself that this is something I want to do.

Both studios are based in Sydney, so I doubt I'll be able to pay them a visit! I do want to contact them both however - I'll just have to email them. I want to come up with some good questions to ask but I can't think of anything right now! Super annoying. I find the thought of contacting professionals really intimidating - I know it sounds ridiculous and I really don't want to let my anxiousness get in my way this year.
Thinking back to the Big Heads talks we've had in the past, I can remember a few of the questions that were asked:

  • What inspires your work?
  • Can you describe your process when creating work, whether its personal or a set brief?
  • What advice would you give a young illustrator about to embark on their third and final year of university?
  • What do you think is important to do to keep your practice progressing?
I'm not really sure how many questions would be a good amount to send to someone?? I'd also kick myself if I forgot to ask about something, so I'm going to come back to this and make revisions before I send anything. 

Tori Anne


So I've been following Tori Anne's work throughout the summer (her tumblr here) and it's what inspired me to pick up my markers again. She posts YouTube videos of her process, which I found really useful because it gave me an idea of what I can do to make my own work with markers look better. For example, she often uses coloured pencils to add depth and texture - which oddly enough, I never thought of. 
I'm dying to get my hands on her book, Juicy Ink. I think it's just a compilation of her drawings but it would be a good thing to have for inspiration. 
Now as far as I can tell, she isn't part of an agency, and has just built her practice around her shop, selling prints, products and commissions - the dream, right? 
My reason for posting this was ultimately because I like her image creating process - and I love to play around with this as I feel restricted if I do something one way for too long. I also see her practice as something to aspire to - being able to draw pretty characters all the time must be fun, plus getting paid for it?? There are so many things I want to explore within my practice this year and character is definitely one of them. I feel like I say this every year and I do explore it to some extent, but because I haven't really figured out what I want to do with it, it's difficult. As long as I keep exploring character through my sketchbooks, hopefully I'll be able to figure out how it fits into my practice. 

20/09/2015

The Illusionist

Whilst looking for something to watch, I stumbled upon this beautifully animated film. My practice doesn't particularly revolve around character and sequential images (even though my current sketchbook is full of characters..?) but I just love the way the characters tell the story in this. There isn't very much dialogue so you get the jist of what the characters are feeling by their body language and expressions. I'm not saying that this is specific to this film, I just noticed it more because of the lack of dialogue. The way the characters are drawn gives them a real sense of personality, which I feel a lot of my character based work lacks. I think it's the detail and the exaggeration in the movement of the characters that make it feel so real. The scenes/environments are also beautifully drawn and gives a real sense of space.
It's been a while since I watched something really beautiful, so I had to share. I'm no animator (in fact I really hate doing it), but I can appreciate how much study of the human body/it's movement has been put into this - which is also needed for illustration, to be able to capture movement in a single frame.
Over summer I've been doing a lot of anatomy studies and I'm keen to go to life drawing classes once term starts again. Hopefully this will help me improve on my character work!

19/09/2015

Kim Searle

Another find from the Leeds Zine Fair! Kim Searle was selling a bunch of cute screen printed patches, which you can see more of here, and I knew it was something I wanted to try this year. Her patches are definitely inspired by feminism, so another good reference for my CoP project! I think what I like is the contrast of the almost aggressive statements with the cute, typically feminine fabrics. 
After finding such interesting things at the Zine Fair, I'm really looking forward to Thought Bubble this year. I don't think I really looked at much of the content last year, I just kind of looked at stuff at face value. I've discovered a real interest in feminist diy culture and I think it's really going to help me find my tone of voice this year - and give my work purpose. 

Mad Maxine Zine

At the Leeds Zine Fair a few weeks ago, I picked up this little zine full of drawings of bad-ass ladies. My favourite piece of artwork from it is definitely the cover, which is what caught my eye in the first place - plus it was free!  
Tons of artists have contributed to this, so there's a pretty wide breadth of work. I think the skill level kind of varies throughout but I think it's a really nice product of collaboration and it celebrates tough grrlz! - good research into third wave feminism for CoP?
I'm wanting to make some zines myself this year (see this post on my studio practice blog), but I was struggling for ideas for what to put inside. Is it okay to just have artwork?? I really like the idea of the colouring page and it reminded me of this post I made about wanting to explore adult colouring books in level 6. I could potentially make a colouring book-zine? The idea of trying to put together a 40 page colouring book sometime this year is scary, so perhaps little zines would be a better idea..? It would be cheap to produce them and I suppose not all the pages would have to be colouring pages - I could give a bit of info on my chosen topic too?
Excited about the possibilities already. Definitely starting to see some synthesis between all my ideas for this year!

18/09/2015

RedBubble - success?

In my level 5 end of year presentation, I mentioned that I had created a RedBubble account. Initially it was just so I could see what my work looked like on various products - because I was too lazy to photoshop it all myself. Over the summer however, I've actually had some success from it! As of now I've had 54 sales, which to me is crazy considering I never thought I'd get anywhere with it.

At the moment however, I don't really feel like the work I've got on there is much good. Whenever I open up the front page I always feel like everybody else's work is so much better than mine - especially the t-shirt specific designs.
From now, I'm going to focus on making my designs better, so I don't feel so inadequate when I log on and see all the new uploads. What makes a t-shirt design a good one? How do I stop my designs looking like they've just been slapped on a shirt? Am I being TOO critical of myself? There are so many things I want to improve upon this year, I hope I don't drive myself insane. 




07/09/2015

'Spooks' Book cover

For this brief, the client already had a good idea of what they wanted for the book cover. They definitely wanted a depiction of a cat painting in the story. With the title being 'Spooks' there was the concern that it would look like a book about ghosts or something else spooky. However, it's a pretty funny book and definitely not about ghosts. The target audience for the book is primarily women aged 35 to 50. After having a good look at covers for women's fiction, the first cover I came up with was this:
One thing I like about this cover is the simplicity of it. However I also feel as though it is simultaneously it's downfall. The client was really happy with the title text but I felt like something was missing from the cover. I felt like the painting needed more context and the overall composition felt a bit cold.

I decided to depict the painting in a gallery space (which is relevant to the story), using two characters to show this. I think this image looks more complete, however I am still unsure about whether or not it is a good book cover. Part of me feels like the characters at the front are too distracting and perhaps the dark hair makes the whole piece slightly unbalanced? 
Even though this will only initially be an e-book, when the designs are mocked up, I actually think I prefer the first design. The final decision isn't mine however and really I'd be happy with either of them. 

Throughout level 6 I would definitely like to do some more work on book covers. Maybe as part of my studio practice I could produce covers for some books of my choice? I think it's a skill that lots of illustrators should refine because publishing is where a lot of illustrators get their work. This project was turned around in about a day and if I had more time, I think I could have produced something a little better. If I were to set my own brief so that I could explore book covers/maybe book promotion a little more, I would be able to spend more time refining the work. 



05/09/2015

Illustration Collective?

I've been thinking a lot about what I am going to do once I finish level 6 and since I've decided I can't see myself going onto do an MA just yet, I think an illustration agency or collective might be the way forward.

I came across this article about a few illustration/design collectives and I really like the sound of it. There are collectives such as Girls Who Draw or 13Souls which are comprised of quite a lot of different skillsets. I think the idea behind a collective is to work together on projects that need it, but it also allows you to have your individual practice.
Organizing events such as exhibitions might be easier as a collective as there are more people to do the necessary jobs. I think it would also be less intimidating to approach galleries and if agreed, costs could be split.

Being part of a collective sounds really appealing and I definitely think my practice would benefit from working alongside other practitioners but having the opportunity to work individually. I have already spoken to a couple of people about sharing a studio space somewhere in Leeds when we finish level 6, but we need to research the practicality of it all.

What do I need to research thoroughly this year?

  • Costs of a studio space plus kitting it out with equipment we'll need
  • Who is definitely up for it?
  • In terms of a business, how would it work? No hierarchy but with project leaders?
  • Identify our strongest skillsets - is there anything vital we're missing between us? 
  • How would we make money? Prints/products? Publications?

Leeds College of Art art market

I had completely forgotten that I participated in this at the end of last term! The art market was new to this years' degree show. It was free to submit work, we got to keep all the money we made from sales and all we had to do was take a turn working a shift during the week it was open. 
As always, it was really gratifying having people buy my work. Not only that, but it was nice to be involved in something with other creatives and having a look at their work. 
As with the Hepworth Print Fair I really enjoyed the whole thing and I definitely want to do it again. Selling prints on the side of whatever else I am doing in life, might be a good way to earn some extra income. For now, I have great printing facilities at uni so I can do this pretty cheaply and keep my profit margins up. However, once I leave university this might be harder and is something I will have to look into. 

In terms of exposure for my work, this wasn't too bad. I had a request for one of my print designs to be put onto a t-shirt. Later when I posted the customer photo on my Instagram, I got a couple more requests for it. When there aren't any art markets for me to attend, I can always try and sell work over on Etsy.

Things in Mind (Leeds Beckett MA Art & Design exhibition)

In order to get a better understanding of life after my degree, I've been looking at a couple of MA courses and even considered a PGCE (although I really don't think teaching is for me!). I wanted to see the kind of work that could be produced on a course like this so I went along to the Leeds Beckett MA Art & Design exhibition.



Initial thoughts

  • Very broad range of work - ranging from photography to fashion garments and installations
  • I'm not sure how some of it would fit into industry? I think this is relatively important to me right now, as I am trying to find my feet as a young professional. 
  • Presentation. If I am brutally honest, I expected a little more from an MA exhibition. This must be because I am coming from a relatively different discipline?
  • Would I enjoy such a broad course? I really enjoy being surrounded by other illustrators at this point.
All in all, I don't think I am interested in doing a course like this. I would like to do an MA in the future but right now, I'm too eager to learn about professionalism and working in the industry. I think in a few years I might be ready to further my education, but right now I want to get out there and put everything I've learned to the test!

02/09/2015

Annie Wu (Illustrator)




Annie Wu is one of the illustrators behind the new Black Canary comic. It was the vibrant cover art that made me buy the comic in the first place but I also really love the quality of lines she creates. I think a lot of it is created by using brushes/inks & pens, rather than purely digitally. The line quality gives a lot of her work movement and a kind of rough/edginess that I've been loving recently. This is something I want to try and refine within my own work. I tend to have a lot of trouble creating movement with lines and they end up looking too flat/stationary. 
Another thing that I think has attracted me to her work is her use of strong female characters. The line work helps give the characters an attitude and it reminds me of Babs Tarr's work.
One thing I have noted recently is that I am really interested in how female illustrators draw female characters in comics. Female anatomy in comics has been a point of discussion for quite some time now and has resulted in things such as the hawk eye initiative. I think that having more female illustrators in this industry who want to desexualise the female characters and banish their ridiculous poses/skin tight outfits is a good thing. I think it will encourage more people (such as myself) to show more of an interest in comics. 

Although I'm not sure how this really fits in with my practice, it is important to form opinions on the how things change within illustration and this could potentially inform my CoP & Extended practice work as I see it as a result of feminism. I would like to explore sequential images at some point during level 6. I never really enjoyed it before because I didn't know much about it nor was I interested in looking at it (specifically comics), but as I am finding more things that spike my interest, I am more inclined to explore further.